Whitney Museum of American Art
Whitney Museum of American Art
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Crash Course on the 2024 Whitney Biennial: Sensation
This course explores how artists use instruments to inform performances or as tools for purposes beyond music-making, including interpersonal communication, scientific and archaeological inquiry, and therapeutic care. Looking closely at works by Nikita Gale, Clarissa Tossin, Constantina Zavitsanos, and Julia Phillips, among others, we consider instruments and objects modified by the artists that blur the line between art and functionality. Through these instruments, artists communicate ideas, systems, stories, and emotions, transforming them from tools for producing sound into dynamic mediums for acquiring, sensing, and generating knowledge about the world around us. This session is led by Fred Cruz Nowell, Joan Tisch Teaching Fellow.
Переглядів: 136

Відео

Survival Piece #5: Portable Orchard | Exhibition Trailer
Переглядів 159День тому
Survival Piece #5: Portable Orchard marks the first standalone museum presentation of the fully realized indoor citrus grove conceived and designed in 1972 by artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). This project explores the need for a productive and sustainable food system in an imagined future where natural farming practices are obsolete and cannot be taken f...
Joseph Stella: Making Magic in an Un-mysterious World | A Gallery Talk with Barbara Haskell
Переглядів 430День тому
In celebration of our digital map that highlights New York City-inspired artworks from the first Biennial in 1932, curator Barbara Haskell explores two key works by Joseph Stella: Neapolitan Song (1929), which was featured in the 1932 Biennial, and The Brooklyn Bridge: Variation on an Old Theme (1939), currently on view in our seventh floor collection galleries. Haskell also illuminates Joseph ...
Identifying Plants from Whitney Artworks at NYBG | Joseph Stella’s Neapolitan Song | Whitney x NYBG
Переглядів 179День тому
The Director of Exhibitions Content & Interpretation at NYBG, Michaela Wright, took us for a tour of the botanical garden with stops inspired by our Whitney Biennial digital map. Many of the works on the map, including those that were displayed in the very first Biennial in 1932, feature plant life on view at the garden. In honor of this crossover, the Whitney Museum of American Art is coming t...
Picturing Abortion: A Conversation With Carmen Winant
Переглядів 67День тому
For her installation The Last Safe Abortion (2023), artist Carmen Winant assembled 2,500 photographic prints to form a collective portrait of the ordinary, daily tasks required to provide abortion health care. Drawn from the archives of university special collections and clinics (and supplemented by photographs made by the artist), these images depict staff, physicians, and volunteers taken ove...
Carmen Winant | Artist Interview | The Last Safe Abortion | 2024 Whitney Biennial
Переглядів 169День тому
The 2,700 prints Carmen Winant has assembled here form a collective portrait of the ordinary, daily tasks required to provide abortion health care-a project that became much more urgent with the overturning of Roe v. Wade in 2022. Winant worked across the Midwest and the South with the archives of special collections, university hospitals, but predominantly with clinics to collect photographs o...
Performance Preview | Holland Andrews | Speaker | Whitney Biennial 2024
Переглядів 231День тому
As part of the performance program organized by guest curator Taja Cheek for Whitney Biennial 2024: Even Better Than the Real Thing, Holland Andrews welcomes audiences to Floor 3 of the Museum in this new performance. In this work Andrews engages harmonic disintegration and language transmutation to solicit the wisdom held inside the body, producing somatic catharsis through sound. Performance ...
Cannupa Hanska Luger | Artist Interview | Uŋziwoslal Wašičuta | 2024 Whitney Biennial
Переглядів 23721 день тому
Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, Lakota) proposes: “This installation is not inverted . . . our current world is upside down.” For the artist, upending our grounding in time and space makes way for imagined futures free of colonialism and capitalism, where broader Indigenous knowledge can thrive. The work here, Uŋziwoslal Wašičuta (a Lakota phrase meaning “the fat-taker’s world i...
Karyn Olivier | Artist Interview | Stop Gap, How Many Ways Can You Disappear | 2024 Whitney Biennial
Переглядів 398Місяць тому
Karyn Olivier’s work often examines loss and absence, signaled here in the weathered elements of her sculptures, including driftwood, buoys, worn clothing, broken traps, and commercial fishing rope. The artist selects these objects for their symbolism, as well as for the histories they carry, bringing past into present. Stop Gap, the title of one work presented here, packs clothing discarded by...
Tourmaline | Artist Interview | Pollinator | 2024 Whitney Biennial
Переглядів 402Місяць тому
In Pollinator, Tourmaline proposes “that the truth of life is its ongoingness, its essence unchanged and unconstrained by space, time, or physical form.” In some scenes of the film, the artist walks through a garden in a floral headdress-seemingly equal parts generator and receiver of creative forces-and floats on a zero-gravity flight. Additional footage features the funeral procession and com...
Even Better Than the Real Thing: Curating the Whitney Biennial 2024
Переглядів 1,1 тис.Місяць тому
Join 2024 Whitney Biennial: Even Better Than the Real Thing co-curators Chrissie Iles and Meg Onli for a conversation with Deana Haggag about the process of organizing this edition of the Whitney’s signature exhibition. Their discussion will consider key themes in the 2024 Biennial, including the fluidity of identity and form, historical and current land stewardship, and concepts of embodiment,...
Diane Severin Nguyen | Artist Interview | In Her Time (Iris’s Version) | 2024 Whitney Biennial
Переглядів 570Місяць тому
In Her Time (Iris’s Version) follows an actress named Iris as she rehearses for a leading role in a historical war film about the Nanjing Massacre of 1937, a brutal assault on Chinese civilians by the Imperial Japanese army during the Second Sino-Japanese War (1937- 45). Through this framework, Diane Severin Nguyen explores the ways that history circulates in the present-largely through popular...
Ser Serpas | Artist Interview | taken through back entrances . . . | 2024 Whitney Biennial
Переглядів 402Місяць тому
Describing sculptures like those included in this exhibition, Ser Serpas has said that “the act of making is a choreographed performance, of which the assemblage is the aftermath.” The performance begins in a city-in this case, New York, and specifically Brooklyn-with the artist collecting discarded objects that speak to her through their color, the ways they have become worn or torn, and their...
Isaac Julien | Artist Interview | Once Again . . . (Statues Never Die) | 2024 Whitney Biennial
Переглядів 1,7 тис.2 місяці тому
Isaac Julien provides insight into his contribution to the 2024 edition of the Whitney Biennial: an installation called Once Again . . . (Statues Never Die). Unfolding across five screens, Once Again . . . (Statues Never Die) reflects on the life and thought of Alain Locke (1885-1954), philosopher, educator, and cultural critic of the Harlem Renaissance (played by André Holland) who urged membe...
Inside the 2024 Whitney Biennial Session 2
Переглядів 5502 місяці тому
This dynamic three-part course gives participants an in-depth view of works in the 2024 edition of the Whitney Biennial, interpreting them in the context of our social, political, and cultural landscape. The sessions explore themes in the exhibition, from the fluidity of form, perception, and experience to historical and current land stewardship to concepts of selfhood. Each week offers a diffe...
Hand In Hand: AI Art and Creativity
Переглядів 4882 місяці тому
Hand In Hand: AI Art and Creativity
Whitney Biennial 2024: Even Better Than the Real Thing | What Is the Biennial?
Переглядів 8082 місяці тому
Whitney Biennial 2024: Even Better Than the Real Thing | What Is the Biennial?
Faith Ringgold, United States of Attica, 1971 | Video in American Sign Language (ASL)
Переглядів 3232 місяці тому
Faith Ringgold, United States of Attica, 1971 | Video in American Sign Language (ASL)
Inside the 2024 Whitney Biennial
Переглядів 1,4 тис.2 місяці тому
Inside the 2024 Whitney Biennial
Harold Cohen: AARON | Plotter Demonstration
Переглядів 1,5 тис.2 місяці тому
Harold Cohen: AARON | Plotter Demonstration
Harold Cohen: AARON - Discussing the Earliest Artificial Intelligence Program for Artmaking
Переглядів 2,2 тис.3 місяці тому
Harold Cohen: AARON - Discussing the Earliest Artificial Intelligence Program for Artmaking
Mary Kelly’s Concentric Pedagogy
Переглядів 4313 місяці тому
Mary Kelly’s Concentric Pedagogy
Torkwase Dyson Installation: Behind the Scenes | Hyundai Terrace Commission
Переглядів 5123 місяці тому
Torkwase Dyson Installation: Behind the Scenes | Hyundai Terrace Commission
Whitney Biennial 2024: Even Better Than the Real Thing
Переглядів 4,4 тис.3 місяці тому
Whitney Biennial 2024: Even Better Than the Real Thing
Bienal del Whitney 2024: Aún mejor que la real | Trailer
Переглядів 5853 місяці тому
Bienal del Whitney 2024: Aún mejor que la real | Trailer
An Indigenous Present: A Conversation with Jeffrey Gibson, Dyani White Hawk, and Jenelle Porter
Переглядів 3604 місяці тому
An Indigenous Present: A Conversation with Jeffrey Gibson, Dyani White Hawk, and Jenelle Porter
Whitney Biennial 2024: Even Better Than the Real Thing | Trailer
Переглядів 4 тис.4 місяці тому
Whitney Biennial 2024: Even Better Than the Real Thing | Trailer
A Conversation with Natalie Ball
Переглядів 2804 місяці тому
A Conversation with Natalie Ball
Body Language: Nick Mauss and Angela Miller in Conversation
Переглядів 4714 місяці тому
Body Language: Nick Mauss and Angela Miller in Conversation
Walter Annenberg Lecture: Nancy Baker Cahill
Переглядів 7284 місяці тому
Walter Annenberg Lecture: Nancy Baker Cahill

КОМЕНТАРІ

  • @look9005
    @look9005 3 дні тому

    These older whistles blowers fight against and understood how bad the Cold War enemies were… and they saw how our country began to mutate into a similar harsh security state

  • @deathkilltron
    @deathkilltron 3 дні тому

    i hope that laura and jordan have come to see how great Jeff still is :)

  • @EMANI_Catalyst1111
    @EMANI_Catalyst1111 4 дні тому

    This is so inspiring for me. ❤❤❤❤❤

  • @leslieseale9761
    @leslieseale9761 7 днів тому

    Very Nice video - however like most Marsha P Johnson (we knew her as Ms Marsha) Did not throw the 1st brick and didnt get to Stonewall till hours after it started - listen to Making Gay History the interview w/Marsha herself. Ty

  • @gapjin-art
    @gapjin-art 9 днів тому

    좋은 영상과 소개 감사드립니다 🎉

  • @jonandrews3528
    @jonandrews3528 10 днів тому

    Great

  • @nobody_gtk
    @nobody_gtk 11 днів тому

    ain't no way this chick really has "Lavender" on her drivers license

  • @kellimac
    @kellimac 14 днів тому

    My good friend Will Kohler grew up in NY in the 70s/80s and used to talk about the Christopher Street pier all the time. I am glad this segment of history is being preserved. Continue to RIP Will🌈💔

  • @TukwilaRed1974
    @TukwilaRed1974 17 днів тому

    I really can't stand the way folks totally rewrite the history of the Stonewall Riots to make it entirely the efforts of Rivera and Johnson. That is complete bullshit revisionist history and anyone there, including Rivera and Johnson themselves when they were alive, will tell you it's bullshit. It takes a queer community, then as now, to make a queer revolution. Everyone was pissed, not just Rivera and Johnson. Folks still dispute who threw the first bottle. Some say Stormy started the riots when she said to the crowd of onlookers "What are you doing to DO about it?" This obsessive focus on praising these two individuals at the expense of building an actual movement of queers to win liberation needs to end (cuz we still ain't liberated, kids; the democrats prefer to commit genocide in Gaza and provoke World War III in Ukraine rather than codify Trump nominee Gorsuch's 2020 ruling that Title VII of the Civil Rights Act also covers claims based on sexual orientation and gender identity, the most RADICAL victory for queer working people since the Stonewall Riots). The many many folks who picked up the baton and built the first radical queer organizations, including the protest in support of women prisoners (including Assata Shakur) just a month later, deserve credit for making Stonewall a thing to remember. Stonewall wasn't the firs riot and it wouldn't be the last. So do the many straight folks, including straight black men from Harlem, who heard that people were fighting the cops and wanted to help.

  • @CzrBklyn
    @CzrBklyn 18 днів тому

    This the machete professor? lmao - way to destroy your credibility as an "artist"

  • @Kontorgh_art
    @Kontorgh_art 22 дні тому

    So amazing.

  • @imaginationunreal
    @imaginationunreal 22 дні тому

    Never lived in NYC, but I knew about the piers through friends and boyfriends who had experienced the area. This installation is evocative and compelling and like what was said here, will hopefully spur the curious to learn more about queer history.

  • @gregorio9423
    @gregorio9423 23 дні тому

    Soy modelo quien me quiere contratar

  • @lcalder4899
    @lcalder4899 27 днів тому

    Love Love Love

  • @jsethanderson
    @jsethanderson 29 днів тому

    So much anti-gay revisionist history in this video.

  • @Helloevreything_1
    @Helloevreything_1 29 днів тому

    sad to not see Hilma af klint

  • @Nanna-MO
    @Nanna-MO 29 днів тому

    I’m 58 my grandaughter is Bi Sexual , and one of my grandsons is gay , although he hasnt said anything to anyone . I’m horrified to think parents could throw there kids out for being gay , I’ve seen documentaries about parents not accepting there sons ashes as he was gay and died of AIDS , omg first and foremost in life , a Woman is a mother , we love out children unconditionally . No matter what sexual preferences they have , I do understand that in the 80s when aids came out parents were ashamed and embarrassed , even the men dying of aids some themselves were shamed into hiding there health , if you’re neighbours will hate you for having a gay son , move houses , the neighbour isnt that good of a friend if they hate you’re gay son or daughter , im disabled and riddled with arthritis , but I’m at the front on Pride Day on my mobility scooter , which my husband and grandaughter put these big stickers on so my scooter is pride colours , and my massive Tshirt saying I’m. Proud Grandmother of gay grandchildren , I was born 1966 so in the early 80s I was a teenager and didn’t understand it all , but I’m telling you , if it happened now , I’d be first at the hospital door , giving these people food , water there medications, bed baths the lot , not one gay man will suffer on my watch , they lay in there beds while nurses wouldn’t touch them , pass there food to them , they just needed a hand to hold , a person to hug , F--K AIDS . I’m a hugger and hand shaker , and I’d be making those people feel loved , Kudos to those wards that opened in hospitals especially for aids patients to help them , my heart bleeds to think thousands of men died alone because people wouldn’t help them . 😢😢😢

  • @juluk2003
    @juluk2003 Місяць тому

    subtitles are not in sync with the sound of the video, could you fix that?

  • @linscoolll
    @linscoolll Місяць тому

    Writing an essay at school on her!! 😁

  • @louisd2041
    @louisd2041 Місяць тому

    Vital information and a wealth of knowledge on women artists, many thanks

  • @gametime-bw3zk
    @gametime-bw3zk Місяць тому

    very helpful recap and q&a. JQTSS's work deserves much consideration and thought that this video facilitates

  • @mJ-sm4ss
    @mJ-sm4ss Місяць тому

    actually they weren't there that night at stonewall.. we already saw that on another documentary tho... Marsha wasn't even on that side of town at the time,.

  • @limolnar
    @limolnar Місяць тому

    I'm shocked at the rewriting and romanticisation of the 1960s through the 1980s, to cast aside the words and actions of our elders. It's not healthy to do this and to view everything through a 2020s lens - especially was the people that were there are still alive. The only people whose voices matter are those that experienced it.

  • @juvalentino1
    @juvalentino1 Місяць тому

    What a pity that I couldn’t be there to see that exhibition.

  • @bojack40
    @bojack40 Місяць тому

    He lays it on a bit thick (divinity etc) but i appreciate the ‘memorial’. We lived and loved.

  • @marcos.666
    @marcos.666 Місяць тому

    Now that rampant gay sex at the piers is over, "respectable" institutions like The Whitney can celebrate it. If polite society really wanted to celebrate this gem of our history, they'd make space for what went down at the piers back in the day along today's waterfont.

  • @jimjimgl3
    @jimjimgl3 Місяць тому

    "I'm able to see the temples within which they built the divinity of queer identity" Huh? The piers were where horny gay men went to have sex. There was no political or social agenda at the time on the piers. The piers were a convenient and ignored place on the fringes of the city where men (both gay and "straight") could have anonymous sex.

  • @greggw.brevoort
    @greggw.brevoort Місяць тому

    I was 19 in 1981, newly arrived in the Village. I knew the piers were a hotbed of activity - but because it was so dark and scary, I was terrified of venturing over there. So, I never did go. Never got further than the West Side Highway. Kind of regret it now.

    • @user-ns6ql1dt2k
      @user-ns6ql1dt2k Місяць тому

      Thank God you never did, and May be because you are still alive and are able to write that comment. Best wishes, bro.

  • @jc0730
    @jc0730 Місяць тому

    We must not allow the homophobes to erase our history!

  • @aftermoviesdraw8390
    @aftermoviesdraw8390 Місяць тому

    15:23

  • @lucifersapphire8412
    @lucifersapphire8412 Місяць тому

    We have always been here!

  • @pozleo78
    @pozleo78 Місяць тому

    6:05. Call them out sir!!! 😊

  • @dickpiper5339
    @dickpiper5339 Місяць тому

    Gay nyc have no sense of what it was like to live in that community. AIDS and Reaganomics greed destroyed that era. Chelsea and then Hell's Kitchen are very poor examples of gay communities. Now the neighborhood is the internet. From the dark rooms of touch but don't see it is now screen see but dont touch. So it goes..

  • @whitneydesignlabs8738
    @whitneydesignlabs8738 Місяць тому

    Great presentation! Thanks to the presenters, and thanks to the Whitney museum for exhibiting Harold Cohen's work. I worked for Harold as a young man building a robotic arm with Harold's goal to transition from b&w plotter output to full color painting output.

  • @petermccain6484
    @petermccain6484 Місяць тому

    Best piece at the Biennial

  • @zaharizahariev
    @zaharizahariev Місяць тому

    It’s like a curse really everywhere there is even a small resemblance of life and something interesting happening immediately the zombie breeders come and spoil the fun.

  • @DK-yq5nx
    @DK-yq5nx Місяць тому

    Is there a book of these photographs? They are amazing and should be preserved.

    • @enzomthethwa5861
      @enzomthethwa5861 Місяць тому

      Yes there is but one of the photographers mentioned: Alvin Baltrop.

  • @mrnieblas1
    @mrnieblas1 Місяць тому

    Amazing❤

  • @cadicorniche
    @cadicorniche Місяць тому

    This video made me very nostalgic and sentimental. I grew up in NY and was introduced to the piers in the late 70s and early 80s. The piers were a place to relax, to breathe, to enjoy a space that was not encumbered by societies 'dont's'. To hear the music, see and talk to like-minded people, to feel the sun on your skin - or just to gaze at the water and clear your mind. It was glorious!!

    • @cayetano-fd6kh
      @cayetano-fd6kh Місяць тому

      True! but sadly it was the AIDS crisis of the early 1980's that speed fasted the demise of the piers and these fun places around the waterfront in Greenwich Village. Authorities and lots of homophobic people started using the AIDS crisis as an excuse to close down gay businesses like bars and bath houses too back then.

  • @davidbodrick1827
    @davidbodrick1827 Місяць тому

    👏🏾👍🏾❤️

  • @jackgross6133
    @jackgross6133 Місяць тому

    Read "Rushes"

  • @dyrekvellnagel3011
    @dyrekvellnagel3011 Місяць тому

    Kudos , I never knew about the pier until now. Thank heaven for the times that were had by all and sundry being themselves without retribution. An eye opener ; Dang. 🐨❤DD.

  • @fleckmo
    @fleckmo Місяць тому

    I went to the piers with my brother, must have been the early 80s. Both of us gay. He said something like “You can see all kinds of people here,” and I said, “Like a man in heels with no arms?” Because indeed there was a very tall, slim young man with long blond hair and no arms, wearing short shorts, a bikini top and high platforms, stepping over the concrete berm that was supposed to block off the pier. He was lovely. Maybe he’s reading this. Maybe someone reading this knows him.

    • @tula1433
      @tula1433 Місяць тому

      I’d imagine if he was reading this he couldn’t type to reply lol

    • @louisdewit4429
      @louisdewit4429 Місяць тому

      @@tula1433 - 🤣

    • @jgilc2691
      @jgilc2691 Місяць тому

      ​@@tula1433Consider getting out more and experience life and others. You'll meet an incredible amount of wonderful people that can teach you about yourself.

  • @Ramon51650
    @Ramon51650 Місяць тому

    I came out in 1968 and thee next year my parents sold our home on Long Island; they were done with living in the states. I wasn't ready to leave with them at the time when I was wide-eyed at new possibilties so i moved to the village and sofa surfed in the East Village. That's when I met Sylvia & Marsha. Talk about protective and caring, and in Sylvia - anger at all the injustices. Now, over half a century later I still remember what she said one night after trying to make some solidarity with Matachine and other groups: "At the end of all this, it's the street and trans communities that are going to take the hits from everybody else."

  • @michaelkrass-jo8fs
    @michaelkrass-jo8fs Місяць тому

    infuriating.i was there - a gay kid meeting wanting loving. youve given my history in this vid entirely to the trans kids - certainly a small percentage of us - because its fashionable. entirely skewing our history.

    • @nailartguy3363
      @nailartguy3363 Місяць тому

      No one is skewing anything. They discussed the prevalence of gay men at the piers many times. They showed dozens of pictures that proved as much. But what’s also wrong with giving a bit more focus on the most marginalized group of people within an already marginalized community? I’m a gay man and I didn’t feel that way at all and saw gay history fully emblazoned all over the beginning of this video. It naturally turned to highlighting trans women of color because, wait for it, they were also there and it’s also their history. That shouldn’t be soemthing that infuriates you.

  • @CRYDERSB
    @CRYDERSB Місяць тому

    Awesomeness

  • @jamesflolid1394
    @jamesflolid1394 Місяць тому

    Thanks for this Video, I’m a Minnesota boy/ 74 yr old now ….

  • @MrSKSJr1964
    @MrSKSJr1964 Місяць тому

    They were not “trans” anything in n 1969, they were Drag Queens that stood up to the cops, fact check yourself!

  • @dstuart2918
    @dstuart2918 Місяць тому

    Queer ...blah...blah..." queer" is just another affectation. It doesn't stand for my identity at all.

  • @albertinsinger7443
    @albertinsinger7443 Місяць тому

    Good , art criticism .